L word generation q
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How did that come about with your hectic schedule?
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We reminisce about Tina’s journey throughout the years and where the new series might take her beloved character… MCKENZIE MORRELL: Can you talk about reprising your role as Tina Kennard. How else would you explain Tina’s absence? It seems far-fetched that Tina would leave her family without good reason– and falling in love with someone else seems to align with The L Word drama-filled landscape.įANDOMIZE had the pleasure of speaking with Holloman about her epic return to acting, playing opposite Jennifer Beals again, and what it means to showcase co-parenting between same-sex divorced couples on TV.
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Holloman hinted that this reworking of the relationship was a result of her demanding schedule, which is understandable.
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Bette and Tina now share custody of Angie, who predominantly lives with Bette, due to Tina’s blossoming career. In Season 1 of the new series, it’s revealed that over the course of the last ten years Bette and Tina did indeed tie the knot in hopes of raising their daughter and sharing their lives together, but inevitably parted ways when Tina left Bette for another woman. Holloman’s shocking return to The L Word scene comes 12 long years after audiences last saw the fan favorite pairing of Tina and Bette together. I mean, how can you have an L Word reunion of sorts without Tina? Answer: you simply can’t. Prior to reprising this role, the acclaimed actress had no immediate plans of rejoining the small screen as she continued to focus on her robust painting career, but here we are! Despite scheduling hurdles, and jitters surrounding performing again, Holloman dove back in effortlessly with the help of original series creator Ilene Chaiken and showrunner Marja-Lewis Ryan, and of course her on-screen cohort Jennifer Beals. As you could imagine, the Art world couldn’t be any further from the entertainment field as the two move at polar opposite paces. Holloman’s guest appearance on the highly-anticipated sequel was a welcomed surprise for fans of the original series considering Holloman left the acting world in 2010 and has spent the last decade honing her craft as a renowned painter. Now in its second season, The L Word: Generation Q goes all-out with returning cast members Jennifer Beals (Bette), Kate Moennig (Shane), and Leisha Hailey (Alice), along with newcomers Jordan Hull (Angie), Arienne Mandi (Dani), Rosanny Zayas (Sophie), Leo Sheng (Micah), Jacqueline Toboni (Finley) and Jamie Clayton (Tess). And let’s not forget that ground-breaking sex scene with Jillian Mercado in The L Word: Generation Q (Stan).Laurel Holloman, known for her role as Tina Kennard on Showtime’s groundbreaking series The L Word is back to welcome the next generation of queer people talking, laughing, loving, breathing, fighting … in Los Angeles. Dexter: New Blood (Paramount+), has Esther, (Paralympian Katie Sullivan) a police dispatcher who boot scoots with her artificial legs. Deaf actors, like Nathan Borg in Neighbours (10Peach), Malachi Kruse in the final episode of Fires (ABC), and James Caverly in Murders in the Building (Disney+), are making their presence felt. Last weekend, ABC disability affairs reporter Nas Campanella revealed she was six months pregnant during her 7pm news report, so congratulations! ABC Breakfast reporter Charles Brice has talked about how hearing the vision-impaired reporter on Triple J was an inspiration to him, and now the wheelchair reporter is doing the same for others with his daily reports from Adelaide.ĭrama is picking up on this too. It was also great to see many of their shows having a renewed focus on Indigenous language and history, like in this year’s most beautiful new show, Back To Nature (ABC – pictured above).
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This year, the public broadcaster began using Aboriginal and Torres Strait Islander Place Names across their TV and radio services. More like this, please: COUNTRYĭuring this year’s Bachelorette finale, the last two lovebirds were asked by an Indigenous friend of Brooke Blurton if either of them knew: “Whose land are you living on?” Neither did, but let’s hope more networks will follow the lead of the ABC in educating its viewers. Along with all the straight, able-bodied, white people on Australian TV, 2021 welcomed growing diversity on screen when it came to Indigenous culture, disability representation and queer programming.